Documentary Production: Screenshots of Editting in Adobe Premire Pro

These are screenshots taken from the editting process of our documnetary and how we edited sound levels using sound key frames to ease music in from a high level to a low level when the voice over would start talking. but of also how we created the graphics of our title '40 Winks' and the names and relevance of our interviews across the frame when they would appear on screen.

This forst screen shot shows us editing the sound on our interview with Yvonne Harrison the Psychology lecturer from Liverpool John Moores University; and how we used snippets of the interview to include just the parts we wanted to include in our documentary with the help of cutaways to hide jump cuts inbetween these edits.

This screenshot shows how we created the graphics for our New Parents interview with Mark Vincent and our shift worker interview with Chris Ison, we chose the font and size and positioned it on the opposite site to were Mark was sat in the frame so it could be easily read and didnt interfere.

here we are editting a cutwaway of a clock so that it is slightly sped up and goes in reverse order. So we changed the speed to 120% and ticket the box to reverse speed.

In this screen shot we are cutting the clips of our archive footage down in order for it to fit into the required speaking time of the voiceover.

This screenshot shows our interview with Chris Ison the night shift worker at Network Rail, and how we are putting the cutaways of the trainstation over the jumpcuts of his interview. In order for it to run smoothly and sound smooth.

These are our voxpops and here we are simply cutting the parts that we want and putting them together.

This is our title which is featured at the end of our title sequence, we made this in the same way that we made the graphics for our interviews. But we used a different font and font colour.

These are the cutaways used in are beginning scene and title sequnce which shows a teddy bear which relates to what the voiceover is talking about and the man asleep on the couch is included in our title sequence.

This is a screenshot of us unlinking the captured footage and deleting the sound from the clip as we did not need the interference of sound clashing with the sound bed and voiceover. We did this with most of our footage and cutaways.

 

These are more of our cutaways that we have used in the final edit of the documentary, as it relates to what the voiceover is saying.